Audio: 5.1/7.1, Dolby Atmos and DTS:X mixing; ADR and remote ADR; Foley; sound editing and sound design.
Picture: colour grading, digital dailies review, picture editing, screening and premiere presentation.
Data: high-speed on-set FC SAN storage and secure Aspera transfer.
A 300-square-metre Dolby Atmos Premier Studio with three Avid S6 M40 consoles, a 4K workflow and 52-channel JBL monitoring.
This 300-square-metre Dolby Atmos Premier Studio features three Avid S6 M40 consoles with 96 faders, a full 4K workflow and a 52-channel JBL Atmos monitoring system. It supports Dolby 5.1/7.1, Dolby Atmos and DTS:X mixing.
A 300-square-metre Dolby Atmos certified stage with dual Avid S6 workstations, 4K picture and immersive multichannel monitoring.
The 300-square-metre Dolby Atmos certified stage uses dual Avid S6 workstations with 64 faders, a full 4K workflow and a 52-channel JBL Atmos monitoring system. It also supports DTS:X and other immersive multichannel formats.
Stage A/B Avid S6 M40 24-fader console Pro Tools HDX2 Core with Pro Tools HD audio-production software 3 × JBL 3732T main speakers 2 × JBL 4642A subwoofers 18 × JBL 9410 surround speakers Christie CP2215 2K projector
Two pre-mix stages support feature-film sound pre-mixing and final mixing. Each room has an Avid S6 M40 console, expandable 24-fader configuration, Pro Tools playback and recording, JBL 5.1/7.1 monitoring and Christie 2K projection.
Two ADR rooms combine Yamaha DM1000 digital consoles, Pro Tools HDX and Avid Media Composer workstations, Grace Design microphone preamps, JBL monitoring and a broad selection of professional microphones. Services include remote ADR, dialogue replacement, pickup recording and group dialogue.
The Foley stage includes an SSL XL-Desk analogue console, Pro Tools HDX and Avid Media Composer workstations, professional monitoring, radio cue systems, props and multiple floor surfaces for detailed effects recording.
Two grading theatres provide 160 TB of high-performance local storage and real-time processing up to 8K. The 240-square-metre main theatre uses Baselight X; the 100-square-metre second theatre uses DaVinci Resolve. Both connect directly to stages and the data centre by fibre.
Eleven 30-square-metre suites support sound and picture editing. Sound rooms use Mac Pro, Avid Pro Tools and JBL 7.1 monitoring; picture rooms use Avid Media Composer, Final Cut Pro, TURBO CG and Genelec monitoring.
Five screening rooms provide DCI-standard 2K/4K projection, 2D/3D presentation and 5.1/7.1 playback. The main theatre also supports Dolby Atmos and seats 100 guests; four additional rooms provide flexible professional review environments.
Independent data rooms across the centre use Baselight X arrays, Quantum storage and Avid NEXIS shared storage. A 10-gigabit internal network and nearly 1 PB of total capacity support synchronised picture-and-sound collaboration, while centralised access control protects production data.
